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Post by Dick Glasgow on Jun 19, 2007 21:12:57 GMT 1
Different forms of Hackbrett
Browsing through Wikipedia's page on the Hackbrett I was interested to read that various regions actually have their own form of this instrument!:Now I know that the Co Antrim Dulcimer appears very different, both in design & string pattern, so I wonder is there any evidence for regional variations of the Hammered Dulcimer in England or Scotland?
Here's one of the standard Co Antrim Hammered Dulcimers. This one is owned & still played, by William Rea, a Glens of Antrim man & relative of the late, great John Rea!:
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Post by Dick Glasgow on Jun 19, 2007 21:16:48 GMT 1
Nikita made this reply to this thread before I moved it from the European Dulcimer board.
Nikita said:
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Post by Dick Glasgow on Jun 19, 2007 21:18:08 GMT 1
Hello Nikita,
Wow! There is clearly a lot more to the Hackbrett, than meets the eye!
Thanks for posting that fascinating info.
I must admit too, that if I lived over there I would certainly prefer to work with one of the more traditional instruments.
Cheers Dick
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carmensan
Dulci-Tambourin (10 - 20 Posts)
Posts: 10
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Post by carmensan on Aug 11, 2007 9:51:01 GMT 1
Hi,
there is one Hackbrett left, if you try to list also the ones in Switzerland.
Walliser Hackbrett it's tuned in Bass brigde and tremble (fifth) birdge, like the Appenzeller or the Dulcimer. and is mostly played in the region of the country Wallis.
Most of the Switzerland players play in Folk groups and do chords or improvised harmony.
And for the Tobi Reiser part and the chrom./Salzburger Hackbrett which is the most played Hackbrett in Germany, He (Tobi Reiser) and Heinrich Bandzauner produced the Hackbrett new in 1935, after Tobi Reiser had seen the Hackbrett been played by a young man on a sottage in the mountains. Most musicians play Folk on the chromatical Hackbrett, but we also play old Music (Middleage, Baroque, aso.) international Folk or New Music.
Okay, that's it for now Carmen
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jack
Dulci-Epinette (80 - 100 Posts)
Posts: 83
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Post by jack on Dec 30, 2007 15:17:58 GMT 1
Hi, Nikita said of the Hackbrett from Oberwallis : it's diatonic basically, but has repeated notes on either side of the middle bridge, with small tuning forks (a bit like the celtic harp), to raise note a semitone. I just wondered if anybody had photographs of these semitone levers. Apparently there are some examples in a museum in Nuremberg. I've been to Nuremberg twice but didn't find out about the collection of Hackbretts till after the second visit. Jack
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Post by Nikita on Jan 7, 2008 8:15:16 GMT 1
If I get the occasion, I'll get a photo of an "Oberwallis Hackbrett", with a close view of the little tuning key that allow one to raise one note a semitone... and I'll try to get the string layout the thing is, even if Switzerland IS a small country, Oberwallis is a quite remote place, and the hackbrett players are few ... like everywhere Cheers
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Post by Dick Glasgow on Jan 7, 2008 11:55:28 GMT 1
Hi Nikita, We met a lovely couple, Martin & Christa, from Austria at the Smuggler's Inn Session last Saturday night. They were actually amazed to see me walk in with a Hammered Dulcimer under my arm! They honestly thought that Austria was the only country which had them & they knew the name Hackbrett of course but had never heard the name Dulcimer before! Although they don't play Folk music, they were fascinated to hear about your Irish Music weekend in the Mountains. They were from Telfs (Tirol) & said the Hackbrett was quite common where they lived. That reminds me of the Italian we met at our Portrush session recently, who honestly thought that the Jews Harp was only played in his own little village in Italy & nowhere else! On another subject, I've just discovered an American Hammered Dulcimer player, Peggy, who is living in Sweden & plays her H-D with an Old Time band up there. I have written to her today, so hopefully we will soon hear about the Dulcimer scene in Sweden! Cheers Dick
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jack
Dulci-Epinette (80 - 100 Posts)
Posts: 83
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Post by jack on Feb 13, 2008 11:15:58 GMT 1
Found this site rro.ch/cms/home.php?site=detEnt&set=44&subset=0&sentid=21567One of the the photographs shows the semitone levers. I made something like this for my old dulcimer that I used before I got my Oakwood (which is actually a "Banks and Hewson", before they became Oakwood). This gave me high G#. I made one for the B&H but it was only lightly glued to the soundboard. It fell off and before I got round to putting it back on my "other half" decided it was a bit of junk and threw it out. I've never got round to making another one but I always wondered why they weren't more popular, as they are with harps.
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jack
Dulci-Epinette (80 - 100 Posts)
Posts: 83
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Post by jack on Feb 17, 2008 16:28:56 GMT 1
Dick, I've just seen the old thread on this very subject on ED. One reason I liked the G# lever was I could play tunes in A without disrupting the hammer pattern to get to a G# in a different place the way I do now. Looking at some of the modern harp levers I'm sure it must be possible to do something similar on the dulcimer.
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Post by Nikita on Feb 18, 2008 10:40:34 GMT 1
Jack, thanks for the link with that photo showing the semilevers. I've been trying for some time to get one, but most peoploe here play the Appenzeller Hackbrett, and oberwallis IS a remote place ! ;D Oh, and last friday I was in Appenzell, visiting the Trad. music center there, in a place called Gonten : The Director, Joe manser is a wonderful chap, and I was able to see my avatar in real : it's a tiny instrument, maybe 50 cm by 30... ;D ;D
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Post by Dick Glasgow on Feb 18, 2008 14:38:15 GMT 1
So your saying your Avatar is actually life size! Ha Ha ;D ;D
Cheers Dick
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